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A typical kid from the suburbs of Rio de Janeiro starts to support the team that his idol, Neymar, plays for. To his father, this is an unforgivable betrayal.

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In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

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After being sexually assaulted by an acquaintance and incapable of dealing with the situation, a woman leaves her whole life behind and hides herself away in an isolated cabin in the mountains.

In a circus, the big act is that of the knife thrower, assisted by his wife. The couple takes risks in real life, in a show of great skill and coldness, which respects a blood treaty.